The physical scars of all this long train of violence could be seen on my daily walks or studied in the Musée Carnavalet where Paris has gathered documents and relics of what she has destroyed as well as of what she has achieved. But besides the scars of Madame Roland’s time were other scars dating from the centuries, scars of revolutionary outbreaks of the same type hardly to be distinguished from those of the period I was trying to visualize; and the more you knew of these explosions, the more they seemed to fit …
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