Mr. Hubbard had long been a Napoleon collector. The revival of interest in the man in the early nineties had made him feel that his collection ought to be reproduced for the public. But he insisted a suitable text—that is, one he liked—must go with the pictures. Mr. McClure had secured something well written from an able Englishman, Robert Sherard, a great-grandson of Wordsworth; but it was so contemptuously anti-Napoleon that Mr. Hubbard would not allow his pictures to go with it. And here it was August, and Mr. M…
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